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Music videos are the near remarkable works of fine art of the modernistic world. The MTV generation of the '80s and '90s watched centre-communicable clips from the creative pioneers who launched the medium. Nowadays, artists strive to make videos that eclipse boundaries already cleaved in hopes of gaining attending.
More music videos go released all the time, but only a select few have been powerful enough to spark controversy, launch careers and withstand the examination of time. These are some of the most iconic music videos of all fourth dimension.
Michael Jackson – "Thriller" (1983)
Michael Jackson'southward virtually iconic video is a mini-film that runs for 14 monstrous minutes. The spooky spectacle is an homage to old horror films mixed with camp and an unforgettable trip the light fantastic toe routine with a horde of zombies. It's Michael Jackson at his finest.
The video fabricated "Thriller" an essential song for every Halloween political party, and it lives on via the pop "Michael Jackson eating popcorn" GIF. It'south and so iconic, in fact, that it's currently the only music video preserved in the Library of Congress' National Film Registry.
Madonna'southward legendary musical career explores the complicated human relationship betwixt sex and religion, and no music video in her career meliorate illustrates her life'south work than "Like a Prayer." The powerful video explored injustice in the prison organization, interracial love and spirituality.
It would be an understatement to say the video didn't cause controversy. Critics hailed it for its symbolic imagery, simply family and religious groups were horrified. Even the Vatican condemned Madonna's video, criticizing its "blasphemous utilise of Christian imagery." In response, Pepsi notoriously canceled its multi-million dollar campaign that used the vocal.
Childish Gambino – "This Is America" (2018)
Gambino'due south rap/gospel video is a gripping meta interpretation of the social injustices that have plagued African Americans for years. The creative person seamlessly weaves through protestors, shooting sprees, law brutality, all the while sidetracked with a grouping of dancers fixated on the latest dance moves.
The internet spent weeks watching the video, attempting to decode its blink-and-you lot'll-miss-it symbolic imagery. Countless think pieces subsequently, the video cemented the song equally a mod-day protest anthem against gun violence, police brutality and discrimination.
George Michael – "Freedom! '90" (1990)
In 1990, George Michael was at the top of his game. His music videos were in heavy rotation on MTV, and his albums were selling out across the world. But when it came fourth dimension to make the video for "Freedom! 'ninety," Michael had had enough of the pop music rat race.
He grew tired of the pressures of fame and wanted to take a footstep dorsum from the spotlight. Instead of seeing George Michael, fans saw supermodels Naomi Campbell, Linda Evangelista and Cindy Crawford singing his song, every bit symbols of the pop legend burned in flames.
Missy Elliot – "The Rain (Supa Dupa Fly)" (1997)
When it comes to outrageous music videos, no 1 comes close to Missy Elliot. She combines surrealist visuals with colorful wardrobes and gravity-defying dance routines. She has a catalog of astonishing choices, but her breakout video, directed by Hype Williams, remains the rapper'south almost iconic of all time.
In the video, Missy sported her glittered helmet glasses and patent leather blow-upwardly suit, too lovingly referred to equally her "trash bag chimera." The video also filled the screen with neon landscapes, rain dancing in Timberland boots and endless celeb cameos.
Beyoncé — "Single Ladies (Put a Ring on Information technology)" (2008)
"Single Ladies" had no costume changes, no set up changes and very uncomplicated choreography. It sounds similar a recipe for something boring, simply the less-is-more than approach made Beyoncé'south moves naught brusk of captivating. Fans beyond the globe went wild over the trip the light fantastic, and many wannabes uploaded their own versions on YouTube to the delight of viewers.
Beyoncé went on to win big at the 2009 MTV Video Music Awards, snagging the coveted Video of the Year honour. Yet, she lost the Moonman for Best Female person Video to Taylor Swift, prompting a very boozer Kanye Due west to interrupt Swift during her credence speech communication on Beyoncé's behalf.
Peter Gabriel – "Sledgehammer" (1986)
Gabriel's "Sledgehammer" was a trippy tour de strength. In the video, the British rocker danced his fashion through playful vignettes of claymation, pixilation and cease-motion animation. In reality, he had to prevarication nether a sheet of drinking glass for 16 hours so they could film the video i frame at a time.
His efforts paid off. The video was a marvelous display of creativity, weaving through crazy scenes seamlessly. It went on to win nine MTV Video Music Awards in 1987, the near awards a video has ever won.
Nine Inch Nails – "Closer" (1994)
This creepy clip took identify in what tin simply be described equally a 19th-century md'south office with a touch of Southward&Grand. Nine Inch Nails frontman Trent Reznor found himself blindfolded, gagged, windswept, handcuffed and surrounded past various dismembered animals.
The video was as well explicit for TV, then several scenes were blocked by a black screen that read "Scene Missing." The video was later voted number one in a VH1 Archetype poll for "The Greatest Music Videos of All Time."
Janelle Monáe feat. Grimes – Pynk (2018)
Monáe doubled down on self-love and female empowerment at the coolest desert party of all time. In the 2022 video for "Pynk," women were safe to be themselves — and men weren't necessary. The queer representation and anatomically-diverse lady pants were a visual breath of fresh air.
The video premiered around the time Monáe came out as pansexual, which was a big moment for the very private singer. For that reason, the video'southward visuals and message made the song an canticle for lesbian, bisexual and queer-identifying women.
The Smashing Pumpkins – "This night, This evening" (1996)
The Bully Pumpkins commonly made heavy metallic goth rock, but this vocal was dissimilar. "Tonight, Tonight" was an orchestral, climactic carol with a video that harkened back to the silent film era.
The video's primitive effects and plough-of-the-century costumes were a surprising visual counter to the band'due south audio. Information technology was a meaning visual departure for the band, and it paid off in droves. Silent films were suddenly all the rage, and the ring won half dozen MTV Video Music Awards.
O'Connor took viewers through an emotional rollercoaster in her emotional Prince encompass. The video mostly consists of a closeup shot of her face as she sang through her anger and sadness. Toward the end of the video, 2 existent tears rolled downwards her cheeks.
The clip collected three Video Music Awards in 1990, including Video of the Year. O'Connor inspired other artists, including D'Angelo and Miley Cyrus, to expect into the photographic camera for their music videos, but nothing compares to Sinéad'southward devastated gaze all these years later.
OK Go – "Hither Information technology Goes Once again" (2006)
OK Go made a name for themselves in the early on 2000s with their low budget viral videos. Their outset video for "Here It Goes Again" was a complex dance routine on treadmills performed in one take. Information technology was their first taste of virality and inverse the music video game forever.
YouTube was becoming the adjacent MTV, and musicians looking to brand a wave had to think fast. OK Become had the idea to create music videos with the intention of trending on the internet. They kept the same formula intact for all their videos that followed.
A-ha – "Have On Me" (1984)
A-ha fabricated music video history cheers to the blitheness style known as rotoscoping. Animators draw over motion picture footage frame by frame to produce realistic action with a cartoon expect. It sounds like a lot of piece of work — and information technology is — merely information technology paid off for the Norwegian synthpop band.
The video'due south romantic storyline and whimsical animation mode made MTV history. The grouping won six Moonmen at the 1986 Video Music Awards and clustered over 930 million views on YouTube. Bands similar Weezer and Paramore accept created their own video tributes using the iconic style.
Christina Aguilera, Lil' Kim, Pinkish, Mya and Lil Kim — "Lady Marmalade" (2001)
It's the ultimate pop music collaboration. These 4 powerhouses joined forces with a lot of lingerie for a cabaret similar no other. Like a circus on acid, each performer showed off tiny costumes, sultry trip the light fantastic moves and outrageous hair and makeup.
The blend of hip hop, pop and French cabaret was a recipe for success. The video won the 2001 MTV Video Music Award for Video of the Year and the 2002 Grammy Award for Best Pop Collaboration with Vocals.
2Pac feat. Dr. Dre – "California Dearest" (1995)
Burning Homo meets Mad Max in 2Pac and Dr. Dre's futuristic homage to their dwelling house state of California. Filmed inside the bodily Thunderdome from Mad Max Beyond Thunderdome, the powerhouse rap duo threw a mail-apocalyptic rave in the desert for the video.
Anybody in this video'south twisted futurity drove giant jeeps and wore steampunk armor. The sepia-toned, desert visuals make the video look futuristic to this day, unless you lot've ever been to Burning Man. Then it's only another twenty-four hour period at the Thunderdome.
Pearl Jam – "Jeremy" (1992)
Pearl Jam's "Jeremy" was a chilling illustration of loneliness and depression. The troubled lead, Jeremy, moved through frozen family members and classmates as the music intensified. Strobe lights flashed as words similar "problem" and "ignored" appeared, pushing Jeremy to his breaking betoken.
In the video's unedited climax, Jeremy reached for a gun in his desk and shot himself. MTV restricted the most violent parts from ambulation, and an alternative version was released. The video was notwithstanding powerful afterwards the edits, but Pearl Jam stopped making videos for years following the controversy.
Outkast – "B.O.B." (2000)
Outkast has and then many iconic music videos that it'south difficult to pick just one. "Miss Jackson" saw Andre 3000 and Large Boi save a house from flooding as animals bounced their heads to the music. "Hey Ya!" offered a Beatles-style operation on live Boob tube.
Just none of Outkast'due south other videos compare to "B.O.B.," their hip hop opus on psychedelics. The rap duo historic their community while expressing their unique individuality. No one could mix technicolor suburbia, bondage–clad Bail girls and gospel choirs quite similar Outkast.
Michael Jackson and Janet Jackson – "SCREAM" (1995)
The iconic Jackson siblings hopped aboard a spaceship for a $vii 1000000 ride into history. The video for "Scream" earned the Guinness Book of World Records title for the almost expensive music video ever made. The video gave Michael a chance to retaliate (angrily) confronting the media.
The spaceship featured a option of rooms for the brother-sister duo to relax, but they had other plans. Instead, the Jacksons allow out their aggressions and danced with a vengeance. It was a complicated time in the King of Pop'due south controversial career, and the video proved it.
Jamiroquai – "Virtual Insanity" (1996)
Jamiroquai's singer Jay Kay takes viewers on a ride with the most confusing dance sequence in music video history. Performed in a white room with a grayness floor, Jay Kay sang the song every bit the floor appeared to move while the room stood still.
Viewers and critics agreed that this was a stunning brandish of special effects. Jay Kay'southward bizarre dancing helped a picayune also. The video won four Moonmen at the 1997 Video Music Awards, including Video of the Year.
Sia – "Chandelier" (2014)
Before making it big as a pop singer, Sia was a talented songwriter for big-name acts like Rihanna and Katy Perry. Years later on releasing her ain indie music, Sia bankrupt through with thousand Forms of Fear. The only problem was she was afraid of the attending.
Enter dancer Maddie Ziegler. Instead of Sia starring in her own video, the young dancer donned a blond wig and danced through Sia's powerful vocal. The choreography fit the vocal perfectly, and Sia enjoyed the spotlight from a safe distance.
Nirvana – "Smells Like Teen Spirit" (1991)
The song ushered in the grunge motility, merely the video for "Smells Like Teen Spirit" ushered in the look. Beginning-time director Samuel Bayer took a typical high school concert and turned it into a total riot. What else would you expect from a schoolhouse with cheerleaders sporting agitator symbols?
The grunge rock movement paired well with a general aloofness toward society, and the video exemplified that. In fact, the students shown in the video were actually bored after filming the video for several hours.
TLC – "Waterfalls" (1995)
The clouds. The h2o. Those matching pastel pants! TLC were aquatic muses with a warning for the world in their iconic "Waterfalls" video. T-Boz's raspy voice offered two tales of gang violence and unsafe sex equally viewers watched the stories unfold.
Not even Left-Heart's timeless rap could save the characters from making the wrong decisions. By the terminate of the video, T-Boz, Left-Centre and Chili appeared liquified adjacent to an actual waterfall — and danced their way into '90s history.
Kendrick Lamar – "Humble." (2017)
Lamar fabricated music video history with the release of his spiritually charged video for "HUMBLE." The video started with Lamar dressed like the pope, looking somber in a cathedral. He later recreated Leonardo da Vinci's 15th-century painting The Last Supper, with Lamar, naturally, sitting in Jesus' chair.
In betwixt religious visuals, Lamar played with money, golfed in an underpass and stood surrounded by men on fire. Critics hailed information technology as a critique of society's focus on consumerism. Perhaps we should all "sit down and be humble."
Mariah Carey – "Honey" (1999)
Mariah Carey was topping the charts with her pristine image for years, but that came to a screeching halt in 1999. Something was different virtually the elusive chanteuse with the release of "Dear." The squeaky make clean vocalizer spent the video diving in a bikini and dancing way more suggestively than ever earlier.
Carey was in the midst of divorcing her music executive husband, Tommy Mottola. The video was a provocative pivot for the diva and a non-so-subtle nod to her divorce. In the video, she escaped captivity from a wealthy man'southward mansion and began the rest of her life every bit a costless, liberated woman.
Guns North' Roses – "Nov Rain" (1992)
The video for Guns 'N' Roses booming carol "November Rain" featured the most stone due north' coil wedding of all time. In the video, lead vocaliser Axl Rose married his and then-girlfriend Stephanie Seymour, surrounded by gothic candles, cigarettes and hairspray.
Between shots of the wedding reception, viewers watched in high-def as the band performed "live." The $1 1000000 video concluded in despair after nine beautiful minutes. Rain poured downwardly during the reception, which then segued into shots of Seymour'southward funeral. It's confusing, just still ballsy.
Rihanna & Calvin Harris – "We Found Love" (2011)
Music videos depicting relationships gone wrong are a dime a dozen. All the same, director Melina Matsoukas created a relationship rollercoaster ride. Rihanna fought, kissed and danced through her human relationship with her boyfriend before leaving him in a pool of drugs and alcohol.
The video used visual cues from films like Trainspotting and Requiem for a Dream to emphasize their chaotic love. It won the Grammy Award for Best Curt Form Music Video and the VMA for Video of the Year.
Queen – "Bohemian Rhapsody" (1975)
Before the regular release of music videos, in that location were promotional videos. Also known as "pop promos," the videos played on Television receiver stations when the bands couldn't be at that place to perform for the cameras. Queen specifically wanted to produce their video then they could avert lip-syncing to their song on Acme of the Pops.
Information technology turned into more than a performance clip of the band; it was an artistic statement. The video is one of the primary catalysts for the creation of MTV and the creation of music videos at large. Information technology currently has more than one billion views on YouTube.
Luis Fonsi feat. Daddy Yankee – "Despacito" (2017)
Before the video was filmed, Fonsi had some requests. First, he wanted 2006'due south Miss Universe, Zuleyka Rivera, cast to represent "the power of a Latina woman." Side by side, he wanted the video to celebrate Latin American culture and dilate the song's soul accurately.
He nailed it. The video perfectly captured the beauty of San Juan, Puerto Rico, and Fonsi and Daddy Yankee serenaded the world with their infectious hit. "Despacito" stands alone on YouTube with more than half dozen.4 billion views, making it the near viewed music video of all fourth dimension.
Prince – "When Doves Cry" (1984)
Doves, flowers and a smoking bathtub all inside the first 10 seconds? It must be Prince. Wearing zip but a cross around his neck, Prince rose from his bathtub and stared into the camera, holding his mitt out for whoever wanted information technology.
The video featured Prince getting dressed to perform, mixed with scenes from his Academy Award-winning rock musical Regal Rain. It was ane of the beginning clips to spark controversy for beingness as well sexually explicit for TV.
Bjork – "Big Time Sensuality" (1993)
This is the video that fabricated Björk a household name, and the premise was simple: Film Björk while she dances on the back of a truck in New York City. Simple or not, it was merely bizarre enough to make the video an MTV mainstay in 1993.
The focus was on her tight hairdo, bizarre dance moves and grandiose facial expressions. She was the otherworldly Icelandic pixie on total display in the Big Apple tree, and you could almost feel her joy climb through the blackness and white clip.
David Bowie – "Ashes to Ashes" (1980)
In 1980, music videos were still finding their footing. Almost videos at the time showed bands performing their songs every bit if they were on another stage. In that location weren't a lot of creative special effects used yet. That is, of course, until Bowie got into the mix.
Bowie was already a creative fable, just music videos gave him the risk to push boundaries even further. The opulent, otherworldly prune cost more $425,000 to brand, making it i of the most expensive music videos of all fourth dimension.
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